Preview and Download the latest Paul Simon radio tracks from The Quiet Celebration Concert Live at McCaw Hall, Seattle, 2025, released October 9, 2026 on Legacy Recordings.
"Under African Skies" featuring Edie Brickell is available for all formats. Download it now as the radio-ready crowd fade edit or the full album version with Paul Simon's extended spoken introduction. Check back for more pre-release airplay tracks before the full set is out on Oct 9, 2026
Formats: AAA, Noncomm, Americana, Classic Rock, Classic Hits
Click play to check it out. Complete form below for the radio downloads. A link will be emailed to you to select fully encoded WAV or MP3 files from a Dropbox folder. Feel free to contact us with any questions or download help requests.
"Under African Skies featuring Edie Brickell" by Paul Simon from The Quiet Celebration Concert Live at McCaw Hall, Seattle, 2025 (Legacy Recordings - October 9, 2026). Great for AAA, Noncomm, Americana, Classic Rock, Classic Hits radio.
https://youtu.be/nOlEO493bfA?si=LauNjbJ99qyVqlWl
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Recorded Live at Marion Oliver McCaw Hall, Seattle, WA, August 6, 2025. Full concert special available for streaming on Disney+ and Hulu.
September 4, 2026 – “Paul Simon: The Quiet Celebration Concert,” is a nearly two-hour live album available for pre-order today as a 3 LP vinyl set, 2 CD set, and all DSPs. This live recording captures the magic of an artist who is continuously exploring and reimagining his own work, as seen in the Quiet Celebration concert film that debuted on Disney+ and Hulu.
The album opens with the heralded Seven Psalms, a continuous 33 minute piece in its entirety, arranged and composed especially to be heard and seen live. The Quiet Celebration continues with new imaginings of timeless classics, deep cuts, and fan favorites listed below. Select tracks will also be available as radio-ready crowd fade edits to make it easier to get right to the music on the air.
The world class band included Mark Stewart, Steve Gadd, Bakithi Kumalo, Andy Snitzer, Mick Rossi, Jamey Haddad, Gyan Riley, Nancy Stagnitta, Caleb Burhans and Eugene Friesen. Click here for the full press release
Seven Psalms
Graceland
Slip Slidin’ Away
Homeward Bound
The Late Great Johnny Ace
St. Judy’s Comet
Under African Skies
Rene & Georgette Magritte With Their Dog After the War
This sampler includes four new versions of classic Jill Sobule songs in the new arrangements she made for the F*CK 7TH GRADE musical. Radio edits of "Underdog Victorious" and "A Good Life," plus "I Kissed a Girl," "Raleigh Blue Chopper," and "When My Ship Comes In."
Formats: Noncomm, AAA, Women, Folk
Click play to check it out. Complete form below for the radio downloads. A link will be emailed to you to select fully encoded WAV or MP3 files from a Dropbox folder. Feel free to contact us with any questions or download help requests.
Dan Navarro, Willie Aron, Cindylee Berryhill, Margaret Cho, Amy Englehart, Kay Hanley, Michelle Lewis, Lisa Loeb, Jesse Lynn Madera, Tom Morello, David Poe, Steve Postell
"Underdog Victorious" by Jill Sobule from F#CK 7TH GRADE (Pinko Records - June 6, 2025). Great for Noncomm, AAA, Women, Folk radio. Video Directed by: Tom Ropelewski Filmed by: Barry Braverman
“A witty satirist and die-hard Broncos & Nuggets fan I will surely miss laughing with her about sports and crying with her about politics and vice versa.” – Tom Morello
“She was so smart, so funny, so creative, and so talented. We toured together and had some of the funniest adventures… I’m gonna miss her, her work, her humor.” – Cyndi Lauper
“She was a shining light. Goodbye Jill.” – Adam McKay
“Let us listen to her music to honor the wonderful singer-songwriter she was.” – Tracy Chapman
“Rest in power my friend.” – Margaret Cho
“So smart and so capable. So kind. Never ever wavered in her convictions. Always cheerful and generous with her time and knowledge. If she didn’t know how to do something she’d figure it out. I feel lucky that she was in my life and heartbroken that she has left us far too soon.” – Jane Wiedlin, The Go-Go’s
“Jill was a bright light. A true warrior for injustice. Her gift was her ability to deliver cold truth in a warm way… Let her beacon shine on in us. Jill was a priceless nugget.” – Cy Curnin, The Fixx
“She was a true light and a true friend.” – Lizz Winstead
“Dear Jilly, Thanks for letting us open for you that time in Iowa and that other time in South Carolina and all the other times too and for letting us be a part of your Off Broadway hit show – that was a really fun stunt you pulled…We don’t like you…WE LOVE YOU.” – Antigone Rising
“Her powerful presence as a performer was a beautiful thing – utterly original, vulnerable and courageous. Jill’s wordplay and melodic sensibility was unparalleled…so much intelligence and also so much heart in her songs. No one looked like her, no one sounded like her.” – Rachael Sage
“Sobule offered some kind of vision for what a different future might be…every song on her 1995 self-titled album upended the pre-set systems for what mattered.” – VOGUE
“With a sharp wit and a playwright’s dramatic sense, Sobule wrote about characters squaring their internal lives with the way the world views them, and she had a flair for vividly drawn scenes in which people make discoveries about themselves.” – Los Angeles Times
“…a kind soul, passionate, wacky, witty, fiercely independent, and committed to music and the politics of social justice. She was loaded with talent.” – David Corn, Mother Jones
“Sobule’s ironic-yet-whimsical songs were perfect for the early 90’s.” – Vulture
“Touchstones hang around—manifestos live forever.” – Rolling Stone
“Sobule’s music pushed the boundaries of her time and she is considered by fans and professionals in the music industry as a trailblazer for queer artists.” – The Wrap
“… a diverse body of music that ranged from deeply intimate to socially conscious themes” – Reuters
“She never flinched from her commitment to writing songs that stuck to her values, creating music that was as socially conscious as it was scathingly funny.” – The A.V. Club
“She changed an important conversation and furthered an entire movement in her own way with her art.” – Forbes
“When we think of the great songwriters with a capital “S” that littered the landscape of American lyricists, Sobule should unquestionably be there among that pantheon of scribes.” – FLOOD Magazine
“…her rich catalog of witty, poignant and always right on target songs are a testament to her talent.” – Women of Americana
Preview and Download the latest Sly and The Family Stone radio tracks from SLY LIVES, released February 14, 2025 on Legacy Recordings.
Formats: Noncomm, AAA, Jazz, Urban AC, Classic Rock
Click play to check it out. Complete form below for the radio downloads. A link will be emailed to you to select fully encoded WAV or MP3 files from a Dropbox folder. Feel free to contact us with any questions or download help requests.
"Sly Lives Trailer" by Sly & The Family Stone from Sly Lives (Legacy Recordings - February 14, 2025). Great for Noncomm, AAA, Jazz, Urban AC, Classic Rock radio.
https://youtu.be/PeKg69eOsAk?feature=shared
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Trailer for Sly Lives documentary that premieres on Hulu 2/13/2025
Broadcast Window: Feb/March 2025 for Hulu doc premiere 2/13 and Sly Stone's birthday 3/14
Interviews:
Music: Songs from Sly and the Family Stone - Sly Lives, (Legacy Recordings - February 14, 2025)
Media: One hour radio special and podcasts
Signup: Click "Airdates Submission Form" below to request this program for your station, including any specific or approximate airdates.
Distribution: Download links for PRX, Airplay Direct, Dropbox and other services will be posted by mid-April.
Broadcast Terms: Free program available to air as-is in any terrestrial or digital linear broadcast. No spots, no barter, no costs, no problem.
Podcast: Content will be edited as a four part podcast series on all podcast platforms, to share on any websites, blogs or social media. Music excerpts approved by the copyright holders will be included in place of the full album tracks heard in the radio special.
Please refer to these sample cue sheets with average segment lengths while the show in production. Exact details will be updated here as they are confirmed.
Two 1:00 music beds (**) are included for use as needed: as-is, live-read music beds, or to be replaced by your own pre-produced content.
59:00 Version
3 segments, 2 breaks, up to 3:00 of local spots, primarily for non-commercial radio broadcasts.
Segment 1 (19:00)
In: interview excerpt
Out: “I’m Ben Fong-Torres and you’re listening to Higher.”
Song:
Break 1 (1:00) **
Song:
Segment 2 (19:00)
In: “Welcome back to Higher, I’m Ben Fong-Torres”
Out: “I’m Ben Fong-Torres and you’re listening to Higher.”
Songs:
Break 2 (1:00) **
Song:
Segment 3 (19:00)
In: “Welcome back to Higher, I’m Ben Fong-Torres.”
Out: “I’m Ben Fong-Torres, and thanks for listening.”
Songs:
54:00 / 52:00 Version
4 segments, 3 breaks, up to 8:00 for local spots / promos / news. Top of the hour news can easily be inserted in the “news-hole” between the Billboard / Intro and Segment 1.
Billboard / Intro (1:00)
In: interview excerpt
Out: “I’m Ben Fong-Torres and you’re listening to Higher.”
Song:
Segment 1 (17:00)
In: “Welcome back to Higher, I’m Ben Fong-Torres”
Out: “I’m Ben Fong-Torres and you’re listening to Higher.”
Song:
Break 1 (1:00) **
Song:
Segment 2 (17:00)
In: “Welcome back to Higher, I’m Ben Fong-Torres”
Out: “I’m Ben Fong-Torres and you’re listening to Higher.”
Songs:
Break 2 (1:00) **
Song:
Segment 3 (17:00)
In: “Welcome back to Higher, I’m Ben Fong-Torres.”
Out: “I’m Ben Fong-Torres, and thanks for listening.”